Posts Tagged ‘Karan Johar’

Bollywood Movie Remakes

March 7, 2012

I was completely disappointed with the remake of Agneepath and surprised that it became a hit. Well if you have read my blog about how I like my Bollywood then you will know that I am not much for melodrama or should I say mocktails. Agneepath came across to me like trying out a rich dark chocolate cake in a vegan style only to see it fall flat. (If done right, some vegan cakes are amazing!)

Let me tell you why. The basic story was a literal copy. However it lacked the thrill of retribution like the original where the angry young man vindicates his father’s wrongful death by becoming the underworld don of Mumbai, Vijay Deenanath Chauhan and defeating his enemies.

Okay, so the remake had a twist just like Farhan Akhtar’s remake of Don where the hero is the villain. Here Karan Johar made his victim the perpetrator. Apart from colossal loss of lives including his own there was nothing really gained at the end. And then there was Sanjay Dutt. I love this guy but I didn’t know whether to laugh or to cry looking at his persona in the film. He was just an oversized “human” version of Gollum. Remember him? Sorry Sanjay but if you are a fan of “Lord of the Rings” I am sure you won’t be offended as Gollum was quite awesome.

Sanjay Dutt in Agneepath

Honestly friends, I am not much for remakes and that too of movies that are still fresh on our minds and still relevant for many generations to come. Think about it, do you really want to see Godfather again without Marlon Brando, Al Pacino and Robert DeNiro? Guess not. Do you really want to see Sholay without Dharmendra, Amitabh, Hema Malini, and Amjad Khan in those very roles? Now I am fine with parodies or spoofs. Yes you guessed it, I am a die-hard fan of Amitabh and I choose to overlook his lapses. 🙂

Anyway, the trend for remakes probably started with Devdas. Now this is a very old movie and I really enjoyed watching it again in the grandiose settings of Sanjay Leela Bhansali.

Then came the remake of Don. But kudos to Farhan for giving a great twist to the story and hitting a home run with the masses and critics alike, including me (a critic among the masses). But what did not work for me is his choice of the actor. Shah Rukh Khan may have done well as Devdas but he failed in the first remake of Don. He desperately tried to copy Amitabh and failed. In fact Farhan should have completely stayed away from the original dialogues and scenes. Even Kareena Kapoor’s dance was disgusting and cheap when compared with Helen. So true, “See, Helen never looked vulgar while doing all those cabaret songs.” – Pandit Birju Maharaj, in Times of India.

My husband says to not compare and to look with fresh eyes. If so, then there should be none of the original scenes, dialogues and dance sequences. For example I was quite impressed with Shah Rukh Khan in Don 2. He was his original best.

Coming back to Agneepath, one thing that worked for me was Hrithik. He did not imitate Amitabh even remotely and gave a fresh take on that character. But I wish this was Farhan’s project because Karan Johar as always, got carried away by his super-duper love for melodrama which was disgustingly portrayed very well at the end. Spoiler Alert below!

If a body gets pierced with a weapon penetrating through and through, there is no way that one can survive. To top that if the weapon is removed from the body then one will bleed out completely within minutes. Yeah I know, I watch CSI too much but isn’t it common sense. Well, our wounded hero went on to fight for 20 minutes or more overpowering a man two times his size and even lynching him single-handedly. Really? Not even Rocky Balboa could have pulled that off. C’mon Karan! What were you thinking? Are you testing the intellect of average Indian public? Or, you thought the chikni chameli dance will blindside this lapse? Lucky for you it worked.

On one hand Bollywood makes commercial yet very realistic movies like Zindagi na mile Dobara and then we have movies that are so ridiculous.  This is yet another classic Indian paradox that afflicts our society, our minds and obviously our taste in films and film-making. My earnest request to all the directors and producers, please don’t make fun of Bollywood legends by making such poor remakes. Exaggerating of facts is fine but it should be within sanity. In fact please take creativity classes if you have run out of ideas or just take a walk into real India and you will get your script or even a fresh talent perhaps.

Adios Amigos!

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Give me Bollywood straight up!

February 16, 2010

With the latest movie Rocket Singh, I think Bollywood has finally come of age with its screenplay and story line. It was simple, realistic, entertaining, believable and powerful giving a message of hope and change. It further fortifies its genre in Bollywood and such films are on a rise and also are successful. In just 2 years, we have seen similar movies like A Wednesday, Welcome to Sajjanpur, Dor, Wake up Sid and Mumbai Meri Jaan. Of particular point to note in the last one is that the media always portrays Mumbai and its people as resilient and strong and their life is business as usual the next day. I am sure to a certain extent they are forced to follow this perfunctory life out of sheer necessity. The movie exposed the raw pain, fear and loss that people experienced and how they cope with it. It was heart-rending.

I think Karan Johar, Aditya Chopra and the likes of them should re-think their usual larger than life, unrealistic dramas or should I say sagas that were quintessentially Bollywood for decades. It was painful for me to watch Kal Ho Na Ho and KANK and I am kind of fed up with Shahrukh Khan, Kajol and Rani Mukherjee. I call this a Bollywood cocktail, sweet and dramatic.

And now the new movie of Karan Johar, My Name is Khan! The story has too many issues. As the name suggests it deals with an innocent Muslim’s plight in today’s world if his name is Khan. This theme alone would have been a monumental movie actually. But oh no, there is a twist – a Muslim who is innocent and whose name is Rizwan Khan and he has a milder variant of autistic disorder called Aspergar’s syndrome. Okay, this condition can affect anyone so it’s still okay. But it wasn’t enough for our Karan. So, thre is another twist. Our protagonist now is a Muslim whose name is Khan and who is autistic and who wants to meet the US President and obviously does not know or ignores all the protocols. Yeah, you can say he is socially handicapped because of his condition but I say melodrama! Sorry Karan, that don’t impress me much!

Is this a desperate move of Karan Johar to win an Oscar? He tried with Kurbaan too but it did not create even a stir. The only stir was about Kareena’s bare back. 🙂 At least Shah Rukh Khan has yet again impressed the masses and I am seeing good reviews of the movie. I will definitely see it but am in no rush.

So, where does 3 Idiots fit in? Well, this is the in between genre. Rang de Basanti, Fashion, 3 Idiots etc are movies that carry a powerful message but are not very realistic. The melodrama seeps in somewhere. Rang de Basanti’s disappointing moment for me was the politician ordering the police to beat up the old woman and the crowd. That’s bizarre! Actually, any good politician will just do the opposite – befriend the downtrodden, blame it on an innocent bystander and seize the day. Right? I knew it I should have been a politician! 🙂 

Since I seem to be drawing a parallel here with alcoholic drinks, I will classify this in-between genre of films as the popular drink, rum and coke. Real deal but with a lot of fizz! God help me, I am sure everyone will think I drink a lot. Go figure!

One more example is the whole delivery scene and making of electricity in the movie, 3 Idiots. It was downright, shall we say, idiotic? I have started reading the book on which this movie is based on and Chetan Bhagat seems to have handled it much more realistically so far.

"Transition of Bollywood"

Anyway, at one time, I loved movies that had the larger than life romance, a rehash of the usual rich girl, poor boy and daddy the villain. Ah! I can never forget DDLJ. I loved the song sequences shot in exotic locales, in rain and of course the dream sequence of floating in the clouds. I sill love the songs but I can’t sit through 2 1/2 hours of melodrama anymore.

I guess a lot of us now want our Bollywood straight up, not even ice. Give us more movies that have hard- core messages in an entertaining manner keeping the melodrama to the minimum. So, producers and directors, can you handle it?